Bond Tunes

Review of: Bond Tunes

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Rating:
5
On 26.11.2019
Last modified:26.11.2019

Summary:

Bond Tunes

Rissue of the only official Bond music compilation, with 3 new songs, including a previously unrelea sed version of the James Bond Theme, in conjunctio n with. Mein Ranking der Bond-Songs - Hier meine Rangliste der Titellieder zu den James-Bond-Filmen, vom besten bis zum schlechtesten. Es werden sicher so. Im besten Fall konnten die Titelsongs der Bond-Filme ganze Generationen begeistern und schallen durch den Klang der Geschichte bis heute.

Bond Tunes Das sind die Bond-Songs der Vergangenheit

Ranking: Alle James-Bond-Songs inklusive Billie Eilishs „No Time To Die“. Im besten Fall konnten die Titelsongs der Bond-Filme ganze Generationen begeistern und schallen durch den Klang der Geschichte bis heute. Sam Smith dürfte es mit seinem Song zu "Spectre" schwer haben, die Top10 der besten Bond-Songs zu knacken, die Konkurrenz ist einfach zu groß. CINEMA. Weitere nominierte Titelsongs folgten, aber erst Skyfall aus dem Jahr wurde mit dem Preis ausgezeichnet. Gesondert aufgeführt sind die Titellieder der Filme​. Wir sagen euch, welches die besten – und die schlechtesten – James-Bond-​Titelsongs von bis heute sind. James Bond ist wohl der berühmteste Geheimagent der Geschichte. Mit den Filmen bekannt geworden sind mehrere ikonische Songs. Eine Übersicht. Billie Eilish singt den Titelsong zum neuen James-Bond-Film "Keine Zeit zu sterben". Hier gibt es alle bisherigen Bond-Songs zum Anhören.

Bond Tunes

Billie Eilish singt den Titelsong zum neuen James-Bond-Film "Keine Zeit zu sterben". Hier gibt es alle bisherigen Bond-Songs zum Anhören. Wir sagen euch, welches die besten – und die schlechtesten – James-Bond-​Titelsongs von bis heute sind. Ranking: Alle James-Bond-Songs inklusive Billie Eilishs „No Time To Die“.

Bond Tunes - Inhaltsverzeichnis

Tomorrow Never Dies. Tja, erste Eindrücke können täuschen. Sheena Easton. Hier hat man mindestens vier Songs in einem zu vereinen versucht. On paper, this song checks a lot of boxes. Casino Royale. Sometimes the director of a Bond film had worked with the composer of his choice on other films Slots Casino Games the latter happened to David Arnold with Skyfall New Jersey Online Casino Site Spectre. The City of Prague Philharmonic Orchestra recorded several albums with Bond music and performs in premieres and special events of Bond films. Sign me up! It's a clear Play Games Onlinr of two artists honoring the Bond motif and applying their own stylistic spin. The theme tune of course! The World Is Not Enough soundtrack.

It's there. But the whole tune comes off as unnecessarily hokey, especially with lyrics that are lacking any and all nuance.

The slowed-down interlude is the best part, but it lasts like 10 seconds. Tina Turner totally makes sense for a Bond theme, and she oozes nostalgia for the film's original era on this cut for Pierce Brosnan's debut as But the song never really There's no big finish to latch on to, no earworm chorus that digs in and has you humming long after you've finished.

It's also corny as hell. This also loses points because it sounds like a sorta-good Duran Duran song that just happened to be placed in a James Bond movie, as opposed to something that stretched the band to be more creative.

This attempt by the venerable Welsh belter fits the mold of a Bond theme, with blaring horns and minor-key, lounge singer panache. It's simply unremarkable—not terrible, not great, ultimately forgettable when compared to other songs from this early Bond era.

People love this jawn, and it's a staple on easy listening radio stations. And don't get me wrong, it's a serviceable love song. But where's the danger?

The intrigue? The sex? All I can think of when I listen to "All Time High" is those erectile dysfunction commercials where two Boomers hold hands in separate outdoor bathtubs while admiring a Sonoma sunset.

It just does nothing to prep me for a secret agent movie that's about to go down. Any Bond theme that prominently features smooth saxophone over a saucy trumpet is making a choice —and it's the wrong one.

It tugs at the heartstrings, is dynamically interesting, and is elegantly produced. It's just not a Bond song!

It's too happy, too sweet, too major-key. James Bond doesn't drive across country smiling to AM radio—he's over the legal limit and being pursued by some ridiculous foe.

If a Bond theme song could function as a first dance song at a wedding, it's not really a Bond theme song. The good parts about this song?

It's gauzy, a clear throwback to classic Bond ballads. Sam Smith is adequately brooding to deliver it. It's got a not-bad chorus.

The bad part? It's boring! At best, it's an ersatz "Skyfall. Shirley Bassey is the Queen of Bond theme songs, with several entries on this list.

This is the worst of those entries. Not awful, but easily the least memorable of her contributions to the Bond pantheon.

There's more rock 'n' roll swagger in this duet than the Bond franchise is accustomed. And that's okay! It's a clear example of two artists honoring the Bond motif and applying their own stylistic spin.

But it lacks the gravitas and drama of the best theme songs. It's way better as an end credits song than an opening credits song. The sensuality of Sheryl Crow's Bond theme vaults it to the middle-of-the-pack.

But Crow is an odd choice as more of a pop singer-songwriter rather than a belter or crooner and it's hard to get past that. Casino Royale is an excellent Bond film, and the first one featuring Daniel Craig.

Perhaps to announce a grittier , the late Chris Cornell was brought things into grunge things up. It's a polarizing song: extremely true to Cornell's instincts as an artist coupled with Bondian horn blasts, but maybe too Buzz Cuts for diehard Bond-lovers.

I love the ambition of asking Cornell, one of the best rock voices of his generation, to perform a Bond song, even if it didn't result in a home run.

Despite something of a mixed critical reception, the song performed well in the charts and marked a significant departure from the more traditional style of previous Bond themes.

Scottish-American rock band Garbage were rather a big deal back in the late s, and this only boosted their profile further.

This track was chosen by producers despite numerous other songs being solicited by producers, most notably by k.

Knight was enlisted to perform the song for License To Kill after an earlier plan to have Eric Clapton and original Bond theme guitarist Vic Flick write a theme fell through.

A big hit in Europe, it was based on the horn line from Goldfinger and is the longest James bond theme to date — at 5 minutes 43 seconds.

Norwegian pop band A-ha were considered a rather unusual choice for a Bond theme, but this Europop number remains one of their more enduring hits.

It was chosen for the theme after an earlier track by the Pet Shop Boys was rejected by the studio. Apparently the song was not named after the film because it would have been too much of a challenge to write a song with the title Octopussy!

It was the first Bond theme to have an accompanying music video. Nominated for an Academy Award, this track written by Bill Conti was preferred to an alternative theme that had been recorded by Blondie.

It was recorded at very short notice, and for that reason Bassey has never considered it to be her own song — performing it far less frequently than her other two Bond themes.

It was a major hit and was nominated for Golden Globe and Academy Awards, whilst in was listed as the 67th greatest film song ever by the American Film Institute.

Brilliant chorus, though. Another example of when the theme tune was one of the best parts of the movie in question, and this time it was Lulu's turn.

However, composer Barry wasn't a fan, later saying: "It's the one I hate most Disclaimer: We have a strange soft spot for this bonkers Bond theme from the Queen of Pop, but While it was amazing to secure one of the biggest popstars of all time, the choice to go down the electropop route with lines such as "Sigmund Freud: analyse this", was just an odd way to go for Bond.

Now, this is a beautiful ballad by Sam Smith, but it just doesn't quite sound like a Bond theme.

It's got all the moody strings and all, but it doesn't really go anywhere. Sam's voice is hauntingly brilliant as ever, though. It was however the first Bond theme to finally go to number one in the UK.

An old school take on a Bond theme, it describes the plot of the movie without delving into the innuendo nature of later tunes.

Like 'Nobody Does It Better' before it, this '80s ballad is able to exist as a genuinely great love song in its own right.

Dusty Springfield and Donna Summer were also considered before newcomer Easton was selected, and she remains the only singer to actually appear in the movie's famous intro.

Lyricist Don Black teamed up with composer David Arnold for this Brosnan-starring title track, taking Bond into the late '90s alt-rock era.

Like Sheryl Crow before, it may have been forgotten in comparison to others, but it's one of the hidden gems of the Bond theme oeuvre.

After a highly successful couple of years, year-old became the youngest person ever to write and record a James Bond theme song.

A moody and dark theme that doesn't quite have the bombastic nature of classic Bond themes, it's a refreshing take on the genre and one that will potentially sum up Daniel Craig's final outing as In a rather forgettable Bond outing, this was one of the few shining lights for Craig's second film.

It's a bit of a Marmite song, with a pairing that we would never have thought of at the time, but the pounding piano and guitars are so awesome that it works.

KD Lang also recorded a song of the same name written by the movie's composer David Arnold, but this track by Sheryl Crow was chosen instead, with KD's slipped into the end credits.

Ach, kommen wir doch gleich zur Sache:. Nationalratskommission will Formel 1 Heute Sieger …. Chris Cornell. Schade, denn die Titelsequenz ist optisch eine der schönsten der Plenty Serie. In die Liste kann ich die leider nicht packen, aber vielleicht schreibe ich mal einen Blogeintrag dazu. Du wirst zu stripe. Honourable Mentions. Sophie Della. Die Lottozahlen Net, kommen wir doch gleich zur Sache:. Bei Tieren ist das nicht anders:. Wir nähern uns stetig den Liedern, die man tatsächlich gut hören kann. Wobei ich so gut wie keines der Lieder wirklich schlecht finde, die Winner Sportwetten allerdings vergleichsweise langweilig. Aktuelle Zahlen zum Coronavirus in der Schweiz und der …. Der Spion, der mich liebte. Nobody Does It Better. Und die baritone Stimme von Monro ist einfach purer Wahnsinn.

Bond Tunes Billie Eilish – No Time to Die (2020) Video

James Bond 007 Theme Tune (original) Bond Tunes Bond Tunes Bond Tunes Rissue of the only official Bond music compilation, with 3 new songs, including a previously unrelea sed version of the James Bond Theme, in conjunctio n with. Von Adele bis A-ha, von Shirley Bassey bis Sheryl Crow: Wer sang James Bond die schönsten Lieder? Eine Schnipseljagd durch die Geschichte der. Mein Ranking der Bond-Songs - Hier meine Rangliste der Titellieder zu den James-Bond-Filmen, vom besten bis zum schlechtesten. Es werden sicher so.

The sensuality of Sheryl Crow's Bond theme vaults it to the middle-of-the-pack. But Crow is an odd choice as more of a pop singer-songwriter rather than a belter or crooner and it's hard to get past that.

Casino Royale is an excellent Bond film, and the first one featuring Daniel Craig. Perhaps to announce a grittier , the late Chris Cornell was brought things into grunge things up.

It's a polarizing song: extremely true to Cornell's instincts as an artist coupled with Bondian horn blasts, but maybe too Buzz Cuts for diehard Bond-lovers.

I love the ambition of asking Cornell, one of the best rock voices of his generation, to perform a Bond song, even if it didn't result in a home run.

The synthy horns definitely date "License to Kill," which sits on the slow-jammy side of the Bond theme song spectrum. As much as we think of JB as an elite assassin and secret agent, he's also a bonafide loverman!

Shirley Manson singing in a Bond movie? I'll take it. An entirely serviceable, if not world-conquering entry by the '90s rockers.

Billie Eilish scares me and I think she's supposed to. And while she's enigmatic and talented and probably going to get even bigger than she is right now, the most interesting parts of her debut album were the meshing of her voice and strange, engrossing production.

Asking her to sing a more conventional ballad over an orchestra is a treat in terms of stretching her artistic skill set. However, it sounds more like Billie is constraining herself to Bond World than Bond World is adjusting itself to Billie, which would've probably resulted in a more memorable song.

If you weren't paying attention, you might think Frank Sinatra is crooning this classic. This lush ballad suits Sean Connery's Bond exceptionally well, and effectively transports the listener back to the original era.

Monro's voice is front-and-center, allowing it to really soar over the orchestra serving as a sonic foundation. This song gets high placement for the simple fact that if you were to tell me, "Hey, Louis Armstrong did a Bond song," my assumption is that it would be very, very bad.

Don't get me wrong—Armstrong is a legend. But dark melodrama isn't his lane. That he doesn't lean into Bond musical tropes and still manages to turnaround a song that works within the franchise while simultaneously being enjoyable in and of itself is an achievement, and a tribute to Armstrong's enduring brilliance.

That voice! One of the most decadent Bond songs—and it's not even Bassey's best Bond song. Bow down. The build-up to the chorus makes me want to pump my fist in the air and crush some air drums.

Yes, it's not as shadowy as the rest of the Bond catalog, but who cares? Radiohead is such a slam-dunk choice for a Bond theme song that History will not look kindly on that choice, but Radiohead's exclusion makes their dejected theme that much more powerful.

Do your best not to get lost in the dour piano, the enveloping strings, and Thom Yorke's pristine falsetto. Perhaps it was too interesting to be a Bond song!

That opening string motif is just so of-the-times. Coupled with strummed acoustic guitar and an electric guitar playing that same opening string melody, Nancy Sinatra's Bond song takes you right back to the Swinging '60s.

This captures less , the action star and more , the man of mystery. Plucked harp? Sign me up. Like most of Wings' best stuff, it's essentially 3 songs in one, which helps to cover the spectrum of Bond theme moods: sentimental, frenetic, and charming.

It may be the best song on this list, but it's not the best Bond theme song because it has an entire life outside of the film. It's a top-notch McCartney song that just so happened to be in a Bond film, not the other way around.

When Bond songs are explicitly about the character of James Bond, they can tend to fall flat lyrically. Like, we get it, we're about to see a movie about James Bond, we're all onboard.

But when a Bond theme is more about the capital-V Vibe that Bond evokes, it has a way higher success rate. Adele is our generation's most gifted torch singer, and she makes almost too much sense as a Bond chanteuse.

Despite her being a super on-the-nose selection, she pulls it off and delivers not only an all-time great Bond theme, but one of the best Adele songs in a catalog crowded with great songs.

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It was a major hit and was nominated for Golden Globe and Academy Awards, whilst in was listed as the 67th greatest film song ever by the American Film Institute.

John Barry considers this track to be his weakest musical contribution to the franchise, and is the only Bond theme not to have charted in either the UK or America.

Still one of the most iconic Bond themes, this notable track reunited McCartney with George Martin — who had produced many of The Beatles biggest hits and most famous albums.

At the time of its release it was the best performing Bond song ever — charting at number two in the US and nine in the UK, and being nominated for the Best Song Oscar.

Jones allegedly fainted while singing the final high note of this song — which might not had been a Bond theme at all had the original track, titled Mr Kiss Kiss Bang Bang which had versions recorded by Dionne Warwick and Shirley Bassey not fallen through.

This was the first Bond film for which Barry was the primary composer, with the title song sung by popular cabaret singer Matt Monro. One of the most famous pieces of film music of all time, this has featured in every single Bond film in some form or another since it played over the opening credits of Dr No back in The definition of iconic!

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It works a lot better Best Phone Games practice than one would expect, but it's not exactly the most memorable Bond tune. On paper, this song checks a lot of boxes. Coupled with strummed acoustic guitar and an electric guitar Interwetten Casino Serios that same opening string melody, Nancy Sinatra's Bond song takes you right back to the Swinging '60s. At best, it's an ersatz "Skyfall. A swaggering vocal performance? The City of Prague Philharmonic Orchestra recorded several albums with Bond music and performs in premieres and special events of Bond films. One of the most famous pieces of film music of all time, this has featured in every single Bond Prison Break Online Schauen Deutsch in some form or another since it played over the opening credits of Dr No back in In the opening credits of Dr. A Sizzling Hot Wygrane Vorschläge gerne Evrope den Kommentaren! Umso mehr klingt das Lied nach Sehnsucht nach Leben. Das ist so als Cherry Casino & The Gamblers man Gurke und Grapefruit gleichzeitig essen. David ArnoldDon Black. Madonna, Mirwais. Eine eigentlich eigenständige Sängerin ist hier nicht mehr wieder zu erkennen, sondern wird zum Bond-Maskottchen. Weiter wurden bei einigen Filmen zwei Songs Casino Gratuit Auftrag gegeben und erst verhältnismässig spät während der Produktion entschieden, welcher der beiden die Titelsequenz bespielen darf.

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